by Webmaster, 16th July 2018
Gouache watercolour and monoprint by Phil Clark, Brecon
Phil was born and raised in Brecon, Powys, and has lived a double life as a theatre director and an artist for many years. He now lives between Brecon and Llangors Lake.
Above: Brecon Beacons from Talgarth
“I was returning over the back road from Hay Literary Festival when I saw this view, stopped the car, and painted it on the spot. I was just parked in a layby looking at the view thinking how beautiful it is. I’m fascinated by foregrounds – how they lead you into a picture to tell the story.”
Journey along the River Severn
“This is a monoprint – a one-off, as no two monoprints are ever the same. You don’t know how it will look until the very end, which is fantastic. Your heart is in your mouth. I become like a child in a sweet shop. The picture’s from a journey along the really tidal part of the Severn from Newport to Gloucester. The light on it was just glorious as the sun rose in the morning.”
“Twelve years ago I broke my ankle and was housebound for six weeks. That’s when I started seriously painting flowers and I became obsessed with it. It allowed me to deal with colour in strong ways, using the medium of acrylic, gouache and watercolour. On this occasion everything I picked from the hedgerows was pink. I love walking along and saying, ‘I’ll do a yellow walk, or a green walk,’ – you look at hedgerows in a different way.”
Monmouthshire and Brecon Canal
“The walks along the canal are just beautiful. Painting canals is like painting a mirror, as opposed to a river, which moves and changes all the time. Autumn around here is just glorious. I find the colours so emotional and breathtaking.”
Towards Llangors Lake from Llangynidr Mountain
“It’s an enormous, breathtaking view from the mountain. As I was driving over I had to stop and paint there and then. This is about the enormity of landscape, and trying to capture that on paper is a real challenge. This is painted with gouache – an opaque watercolour – on black paper. It’s my preferred style because you’re dealing with solid colour that dries immediately. You see colour straight away and if you make a mistake it’s easy to put right.”
Scroll down to see more examples of Phil’s work…
To see more of Phil’s work, and to get in touch, tel: 01874 658652 or visit his website: www.phil-clark.org.